[Julian Barnes] ñ Keeping an Eye Open [american PDF] Ebook Epub Download Þ expertcentr.pro

[Julian Barnes] ñ Keeping an Eye Open [american PDF] Ebook Epub Download Þ Flaubert Believed That It Was Impossible To Explain One Art Form In Terms Of Another, And That Great Paintings Required No Words Of Explanation Braque Thought The Ideal State Would Be Reached When We Said Nothing At All In Front Of A Painting But We Are Very Far From Reaching That State We Remain Incorrigibly Verbal Creatures Who Love To Explain Things, To Form Opinions, To Argue It Is A Rare Picture Which Stuns, Or Argues, Us Into Silence And If One Does, It Is Only A Short Time Before We Want To Explain And Understand The Very Silence Into Which We Have Been Plunged Julian Barnes Began Writing About Art With A Chapter On G Ricault S The Raft Of The Medusa In His Novel A History Of The World In Chapters Since Then He Has Written A Series Of Remarkable Essays , Chiefly About French Artists, For A Variety Of Journals And Magazines Gathering Them For This Book, He Realised That He Had Unwittingly Been Retracing The Story Of How Art Made Its Way From Romanticism To Realism And Into Modernism Lives of the Artists, and Much MoreThose who have read the stories of Julian Barnes will know how often he builds them around real figures in the artsThe Lemon Tablecontains stories about Turgenev and Sibelius Sarah Bernhart and the photographer Nadar play major roles inLevels of LifeFlaubert gets a whole novel to himself almost inFlaubert s Parrotand a meticulous analysis of G ricault s painting The Raft of the Medusa forms the centerpiece of his A History of the World in 10 Chapters.
That essay is reprinted here, slightly expanded It forms the beginning of a sequence of pieces on French speaking artists of the 19th and 20th centuries G ricault, Delacroix, Courbet, Manet, Fantin Latour, C zanne, Degas, Redon, Bonnard, Vui Rating 4 5Am auzit foarte multe discu ii despre scriitorul britanic Julian Barnes, devenind curioas de toate laudele pe care le prime te Av nd ocazia s citesc i s cercetez Cu ochii larg deschi i, nu am dat napoi, Eseuri despre art amintindu mi de momentele c nd citeam despre art i istoria arti tilor prin clasele primare i n general.
La o prim vedere, mi am dat seama c Barnes nu scrie pentru oricine, iar crea iile sale sunt detaliate, complexe i bine cercetate Cele 17 capitole din lectura de fa m au dus printr o scurt istorie a unor arti ti renumi i printre care i pot aminti pe Gericault, Delacroix, Cezanne, Degas, Courbet.
Scris cu elegan i av nd un stil aparte, cartea este o combina ie interesant dintre art , istorie i analiz Mi a luat destul de mult timp ca s o duc la bun sf r it recunosc, nu este o carte pe care a A blurb of this book, unfortunately, is very misleading as it ensures us that we are about to read a collection of essays on art andthe story of how art made its way from Romanticism to Realism and into Modernismwhich is not quite true originally these essays were published in several sources, a piece on G ricault can be found in Barnes s novel A History of the World in 10 Chapters, other essays had been previously published in Guardian, London Review of books, New York Review of books, Times Literary Supplement and Modern Painters and they are in no way the essays of art historian or art critic These are the collection of art lover s clever musings on artists, paintings and art movements which resonates with him If you haven t read anything else by Julian Barnes, you would probably find I have to admit that it took me an extraordinarily long time to finish this book This wasn t because I didn t enjoy it but rather that I have no formal art history education background That created a wonderful challenge for me.
If you are at all interested in art I encourage you to read this collection of essays You ll learn a lot about specific artists and their work Barnes also poses interesting questions about the definition of art and how to view it.
His prose is elegant and often acerbically amusing speaking of Vallotton he was an accomplished painter of still lives formidably good at red peppers and referring to Gertrude Stein s comments about Braque as her finest mode of clotted twaddle If you chose to read this collection take your time and keep your IPad tablet close by so you can refer to cited works not reproduced in the book.
I disc Me fui de paseo con Julian Barnes Entramos de la mano a un museo y no nos soltamos todo el trayecto.
Me conmovi con secretos, historias, cultura y mucho arte.
La pasamos incre ble.
Lo amo.
What this book lacks is pictures There are some but very few if compare with the number of mentioned masterpieces I started reading the book in an old good paper format but then I switched to a tablet with the electronic version because I wanted to see all those paintings Barnes talks about thanks Google, Wiki, etc And then another thing happened When you see all those paintings you don t need Barnes any Well, Barnes admits many times himself and quotes other writers and artists that a great masterpiece doesn t need any comments, explanations or even a name But the book is still in my hands So what happens is that my delight from seeing a painting then is being projected on the book which talks about it or even just mentio Reading Julian Barnes has always been a sheer pleasure for me So when I discovered a new collection of essays on art, I ran out and bought it Yes, reading Julian Barnes writing on art is a total pleasure.
These essays were all written for various publications such as Modern Painters, New York Times Book Reviews, the Guardian, London Review of books and the Times Literary Supplement during the 1990s to 2013 All except two A thoroughly enjoyable forward to an Irish exhibition of his good friend Howard Hodgkin and G ricault s Raft of the Medusa taken from his own book, A History of the World in 10 1 2 Chapters It s funny, I was reading this excellent treatise on the Raft and thinking, I feel like I read this before I did twenty years ago Still enlightening.
The book covers seventeen artists and most are French Barnes practically I worked out that this is my eighteenth Barnes book I ve always found his nonfiction in particular to be truly eye opening, as this title suggests whatever his topic whether it s something that usually interests me or not he exemplifies a careful way of seeing that picks up on things that most would miss He eschews the obvious and goes to the heart of the thing.
These pieces range in date from 1989 to 2013 and were all previously published elsewhere Seven essays were for Modern Painters, while others were for the London Review of books, the New York Review of books, or the Times Literary Supplement Often they coincide with a new exhibition of a painter s work His chosen subjects are European painters, usually French, who are somewhere on the continuum between Realism and Modernism Some were familiar to me Courbet, Manet, C zanne, Degas while others were completely new, an Geen roman van Barnes deze keer, maar een verzameling van 17 essays over kunst die hij tussen 1989 en 2013 grotendeels in opdracht heeft geschreven voor kranten en tijdschriften Een heel bijzonder boek dat je inzicht in kunst niet weinig verheft Hoewel biografische gegevens en anekdotes van de behandelde schilders hun plaats krijgen, is dat niet de grote verdienste van Barnes essays Wel zijn oog dat meteen ziet welke schilderijen belangrijk zijn en waarom De waaier aan schrijvers die aan bod komen, is op zich ook al heel bijzonder Alom bekende kunstenaars als Delacroix, Manet, C zanne, Braque en Magritte, maar evengoed bij het brede publiek minder bekende maar daarom niet minder boeiende namen als Gu ricault, Fantin Latour of Vallonton Interessant vond ik de onbehouwendheid en arrogantie van Courbet, de bevreemdende wereld van Redon, de 385 keer

Julian Patrick Barnes is a contemporary English writer of postmodernism in literature He has been shortlisted three times for the Man Booker Prize Flaubert s Parrot 1984 , England, England 1998 , and Arthur George 2005 , and won the prize for The Sense of an Ending 2011 He has written crime fiction under the pseudonym Dan Kavanagh.Following an education at the City of London School